When I think back on Chris Paul’s career thus far, there are few single plays that stand out. I can recall his game-winning fadeaway from the free throw line over Andre Iguodala and the Philadelphia 76ers and his buzzer-beating three-pointer in the 2011 Playoffs against the Lakers, which I remember due more to Kevin Harlan’s horrifying “right between the eyes!” call than the play itself. Instead of great individual plays, which any viewer will see many of from Paul in any single game, it is repeated moves that manifest themselves in my mind. Two in particular never cease to astound me even though no single manifestation of them is lodged in my memory. Both of these plays begin with Paul using a pick to penetrate. In one, he is immediately encountered by an opposing defender on a switch. Paul feigns further penetration into the paint, but instead hesitates, dribbling the ball between his legs before quickly pulling back and shooting a mid-range jumper from the elbow. His other go to move is going around a pick, but this time, there is no defender to immediately impede his progress so he simply goes into the paint for a lay-up, but very rarely does he not toss in some fancy, although necessary, ball-handling in order to evade an inevitable help defender. Neither of these moves are meant to amaze – they are not ostentatious for their own sake, but necessary to achieve the hoped for result. They’re nothing that any other point guard would be unable to do, but Paul elevates these simple moves that have been in the toolkit of basketball players for decades into things of beauty.
While Blake Griffin is generally considered to be the most exciting player on the Clippers, or even in the NBA, I personally find Paul to be much more thrilling to watch. Dunks are great, but rarely the work of a refined craftsman. As much as I love rewatching Kevin Durant’s dunk on Brendan Haywood, it seems like a more shallow thrill. Blake Griffin’s athleticism simply seems like good genetic luck while Paul’s court vision and ball handling, while being so natural as to seem innate, is really the work of several years in the NBA brought to full fruition.
Chris Paul has nevertheless accumulated a truly stunning body of work and unquestionably established himself as the best point guard in the NBA, perhaps the best since Isiah Thomas and Magic Johnson retired and despite his more relatively traditional style of play compared to the league’s other great point guards – Russell Westbrook, Rajon Rondo, Derrick Rose, Kyrie Irving – he is still as exciting and idiosyncratic as any of them. If the NBA’s point guards were jazz musicians, Chris Paul would be Duke Ellington, an artist loyal to more traditional swing and big-band styles, but always remaining inventive, pushing those forms forward.Ellington would compose songs that highlighted the specific talents of his bandmembers and Paul does the same. It’s hard to imagine Tyson Chandler leading the Association in Offensive Rating for multiple seasons without Paul showcasing how he could be most effectively utilized.
Additionally, Paul’s basketball IQ is unparalleled. Last season, there were many jokes made about who really coaches the Clippers - Vinny Del Negro or Chris Paul - but watching a Clippers game made it clear why such jokes could be made semi-seriously. While Vinny Del Negro meandered up and down the sideline with his mysterious sheet of paper rolled up in his fist, Paul barked at his teammates setting the tone for the rest of his team. While a term like “feel for the game” is so ambiguous to be almost meaningless, it is clear merely by watching a Clippers game that Paul knows what is needed and when. He knows when to assert himself as a scorer or to distribute, when to be more passive or more aggressive. There have been several games where Paul simply manages to keep the Clippers close before finally taking the mantle upon himself in order to take the lead or further it. Even a brief glimpse at his bio page on NBA.com reveals a number of stats showing how drastically different his numbers in the fourth quarter are. In the 2011 season, despite being only thirteenth in points per game overall, he was second in points scored in the 4th quarter. Paul was also second in the NBA in points scored with his team ahead or behind by five points or less with less than five minutes in the game, more simply known as “crunch time.” I don’t mean to start arguments about clutchness that tend to rely on gut feelings and conventional wisdom more than what actually happens on the court, but in my mind, there is no player I would rather have on my team with the game on the line than Chris Paul.
When writing or talking about sports, we often try to find historical analogues for current players. Kevin Durant is our generation’s George Gervin, LeBron James is an evolutionary Magic Johnson, Kobe Bryant is Michael Jordan, etc. etc.. Chris Paul is different. Paul is no single player reincarnated or developed upon, but instead a summation of all the great point guards who have come before. In many ways, he is the final remnant of great, ‘traditional’ point guards as the league trends more and more towards quick, electrifying score-first point guards a la Rose, Westbrook, and Irving. I do not mean to sound like an old-timer bemoaning the days that point guards looked for the open man before their own shot - I love watching Russell Westbrook just as much as I do Paul - but there is something lovely about seeing an archetype of greatness fulfilled. While other players show the evolution of basketball and the game’s constantly changing contours and style, Paul offers not a way forward, but the perfecting of an ideal.
-Micah Wimmer (stationtostation and @micahwimmer)
Faith is a strange thing. It is primarily spoken of in a religious sense, but it doesn’t have to be that way. From a religious context, theologian Karl Barth spoke of faith simultaneously as trust, knowledge, and confession. However, in a more colloquial sense, Brandon Jennings has been in the NBA for four years and despite flashes of brilliance, no one seems to have faith that he is the key to rejuvenating a mediocre Pistons team instead believing more in Greg Monroe, Andre Drummond, and Josh Smith. I don’t think those people are wrong, but I wish they were.
Brandon Jennings entered the NBA with an air of contrarian flare. Giving a middle finger to the NBA’s rule that you must be out of high school for one year before entering the NBA, Jennings opted out of attending college for one season then going pro and instead decided to go professional immediately, but for an Italian squad. He did this despite the fact that he could have attended any college he wanted to. Jennings had been named player of the year by Parade, EA Sports, Gatorade, and also earned the Naismith Prep Player of the Year Award. He was pretty much unanimously considered the top high school prospect his senior year, but nevertheless scorned the traditional one-and-done model.
Jennings’ overseas career was undistinguished. He averaged less than ten points a game, shot less than forty percent (sadly, a harbinger of things to come), and played less than twenty minutes a game. Despite this, Jennings was still drafted with the 10th overall pick in the 2009 draft by the Milwaukee Bucks. Initially, Jennings opted to not attend the draft, going to a family get together instead. But after the fourteenth pick was announced, Jennings showed up unexpectedly; he wanted that picture with the commissioner.
When he began his rookie season, he played phenomenally. He flirted with a triple double in his very first game getting 17 points, 9 rebounds, and 9 assists. He seemed to have the Rookie of the Year award locked up after the first month of the season. In his first eleven games, Jennings averaged 25 points, 4 rebounds, and 5 assists while shooting 47 percent overall and 49 percent from three. These numbers, if he had continued getting them, would have put him in talks for being one of the best players in the league, but unfortunately, they were not sustainable
On November 14, 2009, the Bucks played the Warriors. Jennings started out slow, not scoring at all in the first quarter. He made up for it by scoring ten in the second quarter, putting him on pace to nearly match his season average to that point. But Jennings’ third quarter was literally one of the best quarters ever played in NBA history. With the Bucks down nine, he scored sixteen consecutive points for the Bucks turning a nine-point deficit into a five-point lead. Jennings made twelve of his thirteen shots in third quarter, including four three-pointers. His only miss was a three with 4.9 seconds remaining in the quarter. Jennings finished the game with 55 points after amassing sixteen more points in the final quarter, leading the Bucks to a four point victory.
After this game, Jennings began to be mentioned along the names of legends. He set a rookie record for the Bucks surpassing Kareem Abdul-Jabbar’s 51 point performance in 1970. He became the youngest player in NBA history to score 50 points, beating LeBron James by twenty eight days. And Jennings’ 55 points were the most scored by a rookie since Earl Monroe’s 56 point performance in February 1968.
The adulation was justified, but perhaps we extrapolated too much from that performance. The Rookie of the Year award seemed to be locked up by him after that game. It was assumed that the rest of the season would simply be a coronation for the game’s newest star, but it didn’t quite work out that way. Jennings continued to put up decent stats - fourteen points and about six assists per game over the season’s final seventy one games - but he shot terribly. Gone was the hyper-efficient player we saw the first month of the season. After shooting 47 percent those first eleven games, Jennings made less than thirty five percent of his shots the rest of the season. Particularly damning was his inability to convert from close to the rim as he shot better from three than he did for two pointers. After shooting fifty percent or better four times in the first eleven games, he only reached that mark again eight times in the latter seventy one games of the season. He did not win Rookie of the Year.
Recent seasons have been more of the same: glimpses of promise interspersed with inefficient volume shooting. But these glimpses of potential greatness have been enough for me, as a fan, to ignore everything else. Even when his shots haven’t fell, I’ve kept watching. Even apart from his tantalizing potential, there’s been an intrinsic coolness to him that has kept me intrigued. Maybe it’s just his left-handedness, but I think there’s something more than that. Even now, it’s hard to think of any players who could be described as having a smoother playing style than him. His quickness, speed, and dexterity are continually thrilling. Although he often struggles to make his shots when he gets near the rim, watching him get there is always an aesthetic treat. The problem is, the more he struggles to make shots efficiently, what once seemed effortless now just seems careless.
So returning to the notion of faith and Barth’s conception of it, I feel the need to ask three questions. Would I trust Brandon Jennings running my team’s offense? Do I know that Brandon Jennings is a good basketball player? Would I confess a belief in Brandon Jennings? It’s hard to say absolutely yes to any of those. Jennings has shown himself capable of being a formidable starting point guard at times, but one with obvious, and, at times, overwhelming flaws. It is clear that Jennings has the capability of being an All Star player. We’ve seen it, but after four years, it seems foolish to prize an eleven game sample over four full seasons, yet I continue to do so. Yet I ignore logic and it is because of these eleven games that I am still able to believe in Jennings. It’s been years now since Jennings quit being the darling of the NBA; no one considers him one of the best young point guards in the league anymore with Kyrie Irving, John Wall, Damian Lillard, and maybe even Eric Bledsoe surpassing him. Perhaps these lowered expectations, along with playing on a better team, will help Jennings get a little bit closer to where he was when he entered the league than where he has been recently. If those eleven games were really the best Jennings is capable of - and it looks more and more like they were - then it is time to become grateful and awestruck by those, letting them lie, instead of expecting them to happen again. Those eleven games seem so long ago now, but they were so tremendous that NBA fans cannot forget them entirely.
There’s plenty of reasons to not like Jennings. It makes perfect sense why so many teams had no interest in signing him, but there are still few players I seek out on League Pass more than Jennings. Despite all of his flaws, I still believe in Jennings - perhaps against my better judgment - but I don’t think faith was ever intended to be fully rational.
Last night, Allen Iverson officially announced his retirement from the NBA. In a way, this announcement is long overdue as Iverson has not played in an NBA game in over three years. There have been many times during these last three years that we have gathered and once again paid homage, commemorating the end Iverson’s career, but now, this is actually the end and while we have known that it has been over for a while, it seems that Iverson finally does too.
Hello, my name is Micah Wimmer and I am the newest member of the Oakley & Allen team. I will be posting original written content on a regular basis and hope you all enjoy. You can follow me on Tumblr @stationtostation or on Twitter @micahwimmer.
If you were to pick the greatest name in NBA history, there’s a lot of good ones to choose from. There’s some that are just immediately humorous - Pooh Richardson and Fat Lever - some that have a bizarre sort of dignity - World B. Free, Royal Ivey, and Worthington R. Patterson - and some that are just fun to say - Mookie Blaylock and Pops Mensah-Bonsu. You also have the player formerly known as Ron Artest: Metta World Peace, who deserves at least some consideration. But all of these seem either contrived, especially in the case of World Peace, or just randomly good. I mean, Detroit Pistons rookie Kentavious Caldwell-Pope has an awesome name, but it doesn’t really evoke anything besides a momentary “oh!” or “huh, that’s something.” No, when it comes to great NBA names, it’s hard to imagine any greater than that of God Shammgod. It is literally transcendent.